God Among Us

In the beginning:

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When asked me to write an artist statement for the sculpture, I said yes without blinking an eye.  My understanding was, I would go through the genesis of the sculpture in explaining the experience of my journey while carving the flesh of the wood.  

The reality we foresee this day is difficult to explain because the work is based on a strong feeling of faith.  From the conception to the finished artwork, I tried to capture a moment in its eternity.  The  artist in me created something that she does not fully comprehend.  The sculpture is the fruit of the changing seasons of my roots from soils of many cultures.  It is also a strong belief in the divine rather than a proof in itself.  I am just an instrument in His hands.  This being said, I consider it is more important for the artwork to speak for itself without intervention or explanation. 

Ideally, a two-way avenue of communication flows between the Creator and the viewer allowing his mind to wander in prayer.  The visible is something different for everyone.  While my explanation can be useful to the viewer for exploration and consideration, it can also limit or constrict the possible responses.   

Progress:

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Completion:

God Among Us

Photo courtesy of Matt Chase Photography

Unveiling:

Unveiling Ceremony 1

 

A Sculptural Prayer

Do not gaze at it

But sink into it through your eyes, and

Feel its intensity under your skin.

Do not just think about it, instead,

Meditate on it 

Let it carry you to the unknown

Fast, Far and Forever

To a whole universe …

To embrace the glory of creation and

The Creator

The Ascetic

Studio Photos of The Ascetic

A few days ago, The Ascetic took up permanent residence in New Braunfels.  Since you will not see him out and about anytime soon, we would like to share these farewell photos with you.  We will surely miss him.

Ascetic Full

Ascetic Half Front

Ascetic Left Front

Ascetic Half left Front

Ascetic back

The Ascetic- Pecan Wood Sculpture

On July 13, Marika completed The Ascetic her newest sculpture.  The markings on the face of the monk are natural.  At times you follow the will of the wood and allow it to tell the story.  The sculpture is pecan wood.   With the base, the dimensions are H 27″ W 8″ D 8″.   

Ascetic 1

Ascetic 1

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The Ascetic 4 The Ascetic 5 The Ascetic 6 The Ascetic 7

   

The Cross for The Road to Emmaus Seventh Installment

 

 

From the beginning, the creation of the sculpture revolved around the question “Who is to hold the cross?”  We tend to see the death of Jesus through Michelangelo’s Pieta, the portrayal of  Mary, the mother, holding the lifeless body of her Son.  But in the reality of this journey, we are closer to the weaknesses of Mary Magdalene than to the holiness of the Mother of Jesus.


The Cross for The Road to Emmaus Sixth Installment

A few weeks ago, Terri and her husband Carlos traveled from Lubbock to Seguin.  They left with “Mary Magdalene at the Cross.”  Thus ending one chapter of the story “The Cross for The Road to Emmaus.”  Terri will present the sculpture for the first time in February 2012 to participants in the Road to Emmaus Retreat.  We will of course update this blog with the next chapter of the story.

Thank you, Terri for you are an inspiration and a blessing.  May God be with you and the wonderful Carlos.

Marika and Dennis

A Closer Look

Mary Magdalene at the Cross

Mary Magdalene at the Cross

Marika with Terri the guardian of the sculpture

Terri with Mary Magdalene at the Cross